Yesterday Sotheby’s invited me to the National Gallery to a breakfast and private view of Sorolla, Spanish Master of Light, which opened on Monday. It’s a beautiful exhibition and indeed Sorolla’s use of light was phenomenal.
Joaquin Sorolla (1863-1923) was extraordinarily prolific, producing around 3,000 paintings in his life time (that’s more than Picasso). Many of the paintings felt distinctly Spanish and the influences of Valazquez and Goya were evident but I also noted strong Scandinavian influences in some of the later works.
Two works in particular remind me of the Danish Skagen painter, Peder Severin Krøyer: Young Fisherman, Valencia (1904) and Strolling along the Shoreline (1901). Krøyer exhibited three beach scenes at the Exposition Universelle in Paris in 1889 where he won the Grand Prix of which Sorolla would certainly have been aware. Six years later, in 1895, Sorolla and Krøyer both exhibited at the Exposition Nationale des Beaux-Arts, and again in the Exposition Universelle of 1900 where Sorolla admired Krøyer’s work.
The two Sorolla paintings in the National Gallery exhibition clearly show the influence of Krøyer not only in subject matter but also in his brush strokes and treatment of light. I enjoyed all of this exhibition but the beach scenes were my personal favourites.
Sorolla, Spanish Master of Light is on at the National Gallery, London until 7th July.