I was at the Old Vic last night to see the new stage production of Fanny and Alexander that opened last month. Fanny and Alexander is probably Ingmar Bergman’s most well known and also most accessible film winning him the Academy Award for best foreign language film in 1984. I sometimes struggle with Bergman but I love Fanny and Alexander and the Christmas scene at the beginning is by far the most wonderful portrayal of a Swedish Christmas that I know (I watch it every Christmas).
I went to see the play with a slight sense of trepidation, not quite sure what British theatrical creatives would come up with in a stage adaptation. But Stephen Beresford had done a wonderful job with a clever balance of the funny and entertaining with the dark and cruel. The acting was in part excellent Penelope Wilton as Helena Ekdahl was a strong and humorous matriarch presiding over her complicated theatrical family and Kevin Doyle played the evil bishop with a chilling stillness. I also enjoyed Michael Pennington’s performance as the endearing and kind ‘Uncle’ Isaak.
The production managed to feel sufficiently Swedish despite being acted in English; I was impressed with the singing of Sweden’s most well known drinking song, Helan går and the catchy Christmas song Nu är det Jul igen. Bergman’s film is a very hard act to follow but this play succeeded in capturing the powerful, funny and moving story of Fanny and Alexander to a degree that I, for one, was not expecting. I talked to a member of the Old Vic’s staff after the performance and she mentioned that Pernilla Allwin, who played Fanny in the film, had been in to see the play and given it her firm seal of approval which I think says a lot.
Fanny and Alexander runs at the Old Vic until 14th April 2018.